He worked in France 1922-38 and in the USA from 1941. He experimented with collage, photomontage, and surreal images, creating some of the most haunting and distinctive images of 20th-century art. His works include The Elephant Celebes 1921 (Tate Gallery, London) and The Temptation of St Anthony 1945 (Lehmbruck Museum, Duisburg). Ernst was born in Bruehl, near Cologne, and studied philosophy at Bonn. He first exhibited in Berlin 1916. In 1919 he was a leading figure in Dadaist demonstrations in Cologne, and going to Paris in 1920 he helped Andre Breton and Paul Eluard in founding the Surrealist movement. He became one of its leading visual exponents, creating fantastical images using 19th-century illustrations, and painting bizarre figures, often half animal, and elaborate, dreamlike landscapes. He invented the technique of frottage (rubbing colour or graphite on paper laid over a textured surface), a technique he saw as akin to Surrealist automatic writing. In his sculpture, he was influenced by primitive art. He worked in a variety of media, producing a "collage novel", La Femme cent tetes 1929, working on films with Salvador Dali and Luis Bunuel, and designing sets and costumes for Sergei Diaghilev's Ballets Russes. In 1938 he left the Surrealist group after a disagreement with Breton and in 1941 settled in New York, where he became an important figure in the development of American art. He returned to Paris 1953.
